Monday Morning Markets/Jobs/Opportunities

  • Quick deadline for this one: Two paying summer internships are available at the Nieman Journalism Lab in Cambridge, Mass. From the announcement: “We’re interested in journalism innovation and the future of the news. Our summer interns will be right in the thick of that work, reporting and writing stories on traditional news organizations, online-native startups, nonprofit outlets, technology companies, social media platforms, and all the other players influencing how we learn about our world.” Applications are due March 2.
  • The Australian journal Meanjin has reopened to poetry submissions only. Right now they’re taking hard-copy submissions only, but the guidelines page notes that the journal is “in the process of moving to a new digital submissions service.” Pays a “minimum” fee of $50 (Australian) for poetry.
  • “Instituted in the fall of 2005, the Edith Wharton Essay Prize is awarded annually for the best unpublished essay on Edith Wharton by a beginning scholar. Graduate students, independent scholars, and faculty members who have not held a tenure-track or full-time appointment for more than four years are eligible to submit their work. The winning essay will be published in The Edith Wharton Review, a peer-reviewed journal indexed in the MLA Bibliography , and the writer will receive an award of $250.” There is no entry fee. Deadline: April 30, 2012.
  • From WritersWeekly.com: “DigitalGrandparent.com looking for guest bloggers. Read the blog, if you have a great idea for a post that suits our style, please send to maryan at ontext dot com. $40 stipend per 600-800 words.”
  • “Writing About Your Mother and/or Father” is the title of an upcoming event that will be run by the American Society of Journalists and Authors (ASJA). Scheduled for March 6 at 6 p.m. (Eastern), this event will be available via live webcast free of charge.
  • From Newcastle University (U.K.): “The School of English Literature, Language and Linguistics wishes to appoint a part-time (0.4 FTE) lecturer with expertise and publications in Creative Writing (Prose). We are seeking applicants who will contribute to teaching across both undergraduate and taught postgraduate programmes, as well as supervise PhDs. We particularly welcome applications from candidates who can contribute to and see opportunities to develop the resources of the Newcastle Centre for the Literary Arts, a university research centre based in the School.”
  • It’s nearly the end of the month. You know what that means! I’m putting the finishing touches on the March issue of The Practicing Writer. It will be emailed to subscribers midweek. As always, free of charge; as always, featuring only fee-free competitions & paying gigs for poets, fictionists, and writers of creative nonfiction.
  • Northwestern University (Ill.) is looking for a Senior Writer, Abrams Media (New York) seeks an Editor for its “soon-to-be-launched chef-focused site,” and Living Beyond Breast Cancer (Haverford, Pa.) invites applications for a position as Writer and Website Coordinator.
  • Friday Find: Prompts for (and from) Poets & Writers

    One of the weekly e-newsletters I most enjoy receiving comes from Poets & Writers. It’s titled “The Time Is Now,” and it features three writing prompts, one each designed for poets, fictionists, and writers of creative nonfiction. Sadly, too often I can do little more than move the email containing the newsletter to a “prompts & exercises” folder for later review–I have to get to that day job, after all!–but sometimes, even the sheer act of reading the prompts makes me feel inspired. That happened yesterday–the cnf prompt (“Five Things I Know”) really clicked for me and I’m determined to follow through on it SOON!

    You can see past and present prompts on this webpage (and if you look carefully between the boxes for Poetry and CNF prompts you’ll see a link that will help you subscribe to the newsletter, too).

    Enjoy, and have a great weekend. See you back here on Monday!

    Thursday’s Work-in-Progress: Preparing for Literary Travel

    Four weeks from today, I’ll be heading to Charlottesville, Va., for an event-packed few days. Everything is being organized around the Virginia Festival of the Book, an annual shindig I’ve known about for years, but will be attending for the first time.

    I’m looking forward to this trip with great anticipation. I have three “official” events on my schedule: a seminar on freelancing that I’ll be teaching at WriterHouse, the local literary center; a festival panel on “the art of short fiction”; and an event at the local synagogue. While I await instructions from the panel moderator, I’m working hard to prepare the seminar materials and to polish the remarks that I’ll be offering at the synagogue.

    Everyone in Charlottesville–the festival staff, my WriterHouse contact, and the congregation’s rabbi–has been amazingly receptive, generous, and helpful. And then there’s all of the “extra” stuff: the events where I won’t necessarily have to be “on,” but rather where I will be able to sit back, listen, and learn (I really can’t wait for a panel featuring Thomas Mallon on Saturday afternoon).

    I can already tell this is going to be a great trip. Any chance that I may meet some of you in Charlottesville?

    The Wednesday Web Browser for Writers

  • On Lisa Romeo’s blog, Stephanie Vanderslice introduces her new book, Rethinking Creative Writing: Programs and Practices that Work. (We’ve got an interview with Stephanie about this book right here, too.)
  • A voice from the adjunct trenches.
  • This story of how one author found her agent on the subway (technically, the agent found her) has been making the Internet rounds.
  • A lovely account of how Sage Cohen’s young son reminded her of writing advice from Galway Kinnell (which happens to echo advice I recall from Arnost Lustig, who passed away one year ago this week).
  • I really like this interview with my fellow Last Light Studio author, Ericka Lutz, in which Ericka talks about her new novel, the experience of publishing with our small press, and her “nontraditional” routes in both writing and promotion.
  • I was amused (but not at all surprised) to learn that Stephen Colbert has landed a deal for his children’s book (but can we please do away with the verb “ink”?). Check this GalleyCat report for details, plus links to the two-part interview with Maurice Sendak that started it all!