From My Bookshelf: Bookkeeping Basics for Freelance Writers

Whether you are just launching a freelance writing business or you want to make sure your established business is operating correctly, you are likely to appreciate Brigitte Thompson’s handy and well-organized Bookkeeping Basics for Freelance Writers. I’m certainly going to be keeping my review copy within reach for reminders and resources (my thanks to the author for sending me the copy). You can learn more about Brigitte Thompson and her book here.

After the Retreat: A Guest Post by Chloé Yelena Miller

AROHO Retreat: Digestion
Second of two guest posts by Chloé Yelena Miller

AROHO, pronounced as one word, is the acronym for A Room of Her Own.

Oneness was the unofficial theme of this year’s retreat. A group of 80 or so women gathered in the red desert to share ideas, challenge each other, and form one community.

I wanted to write this blog post at the weeklong retreat. In my creaky bed, I tried to summarize what was happening. But even at the airport returning home, I was overwhelmed.

So I asked AROHO friends on Facebook what their favorite moments were:

Barb Johnson, Gift of Freedom Award Winner and author of More of This World or Maybe Another, wrote, “Rita Dove. Transcendent readings. Wonderful conversations. Dancing. Discovering that hummingbirds chitter.”

Jennifer Mattson, NPR contributor and instructor, added, “Rita Dove, twice. Conversations with Barb Johson, hiking and the Georgia O’Keeffe tours…. and of course late nights with the roomie.”

“Two moments: The first evening, one of the women explained the perseids (she goes somewhere each year to see them), which was a first clue this would be an interesting, informed group. Also, Meredith [Hall]’s exercises for memoir writing” were oral historian Abbie Reese’s favorite memories.

Summer Wood, Gift of Freedom Award Winner and author of Arroyo, shared: “Ellen [McLaughlin]’s phenomenal monologue following Rita [Dove]’s lovely, generous reading. I thought I was going to explode out of my skin.”

I filled up a notebook. I wanted to remember Mary Rose Betton teaching us about reading our work aloud, starting with our natural voice (which can be found by simply saying, “uh huh”). I wanted to remember Rita Dove saying: “After a project, I promise myself to do something completely different. Something that scares me.” On writing for public radio said, Jennifer Mattson said: “Always mumble when you write. Read and write at the same time.” I keep thumbing through the notebook.

Many women arrived planning to write throughout the days. Since I work alone from home, I wanted to meet people and attend classes. I tried not to sit in my room, but rather talk with other writers who were up for conversation.

I mentioned in the previous post that I attended Smith College, an all-women’s school. Perhaps because I’d already experienced being part of a supportive, all-women’s network, I was particularly interested in finding honest critiques of my writing.

Luckily, author Laura Fraser’s workshop on creative nonfiction did just that. She was firm and clear. I’d read her book An Italian Affair before leaving. I knew she was successful in her freelance career. She was candid in class, shared tips with us and encouraged us to be precise. She noted the “one rule.” Every piece, paragraph, and even sentence should have one point. She recommended On Writing Well by William Zinsser, and as I reread the book on the plane, it reverberated with Laura’s points and her writing. She helped the students in the class trust each other, ourselves and our writing enough to want it to be as good as possible.

There were moments the setting distracted me from the writing. It turns out that I am as afraid of coyotes’ howling as I am of sleeping in a room with an unlocked door that opens up to the outside. This retreat caught me a little off guard with how rural it was. This Jersey girl needs a tougher skin.

That said, I’ve never been anywhere where the stars shone as brightly as they did at night. I’d also never felt as safe and as challenged as I did there.

As soon as I got back home, I took a long, hot shower and then logged into Facebook to find my new friends. I trust that some of us will be sharing writing for years to come and prompting each other not only to write, but to write well.

Thank you to everyone who worked to organize this wonderful retreat.

What Are We Doing?

Late last week, Lisa Romeo posted a fantastic post that began with these lines: “When it seems as if I’m busy, busy but getting nowhere, I write a DOING List. Not a TO DO list, but a look-what-I’m-doing/accomplishing/what-I-have-in-the-works list. Sort of like a motivation-approbation-affirmation rolled into one.”

Lisa then shared her latest “doing list,” and it was (not surprisingly, if you follow Lisa and her work) quite impressive. I loved the thinking that inspired it, so over the weekend, I decided to try drawing up a doing list of my own. Here goes:

…finishing a book review for a favorite site…submitting an essay to another couple of journals (and thinking of more possibilities to try once the September submissions floodgates open)…preparing the September issue of The Practicing Writer, which will include an interview with author John Griswold…preparing another author interview for the Practicing Writing blog…reading a review copy that arrived last week…preparing more items for both my blogs…reminding myself of the September 15 deadline to submit a poem for a themed journal issue and challenging myself to just write the thing already…

My list actually doesn’t make me feel as much approbation or affirmation as I think the project is intended to. Instead, it points out to me the paucity of “creative” work I am doing. At the same time, I have to remind myself that I do hold a full-time, 9-5 job. (If I had another 40 hours each week to focus on writing, I do believe that I’d get a lot more writing done!) And while the writing-related work that I am doing at the moment may not necessarily be advancing my own “corpus” all that much, I do take a great deal of satisfaction in advancing the work of others and engaging with the literary community through my newsletter and blogs.

The list does, however, motivate me: to do more. Right after I finished it, I stopped reminding myself of that September 15 deadline and just sat down to continue writing the damned thing. However the piece eventually turns out, I am just glad to be engaged in it.

What about you? What does your own “doing” list reveal? What’s on it, and what does the act of writing it out tell you?