Monday Morning Markets/Jobs/Opportunities for Writers

  • First things first. Our March Practicing Writer newsletter is now available (went out to subscribers over the weekend). You’ll find numerous no-cost competitions and paying calls in it. Go take a look, if you haven’t already seen it.
  • Susan Bernofsky’s Translationista blog alerts us to fellowships to help beginning translators attend the annual conference of the American Literary Translators Association. No application fee indicated. Deadline: May 15, 2011.
  • Mark your calendars: Gulf Coast Writers Association (GCWA) will receive submissions for its next print anthology of short fiction and poetry between June 1, 2011, and September 1, 2011. “Stories must be set in Mississippi and clearly capture a Southern tone.” Will consider previously published work. Pays: “GCWA will pay $25.00 and one copy OR five free copies to contributors whose work is selected for one-time publication rights.”
  • The TEAK Fellowship (N.Y.) is looking for a Summer Institute Humanities Teacher. “The curriculum seeks to improve the students’ writing and critical reading skills, and build a strong foundation for high school Humanities courses in rigorous academic environments. A syllabus has been created based on the theme of ‘American Voices’ however there is flexibility to make some modifications.”
  • “The Department of English and Writing in the College of Arts and Letters at The University of Tampa seeks a creative, innovative individual with significant professional accomplishment to serve as the founding Director of a new low-residency MFA in Creative Writing. This is a 12-month administrative position with teaching responsibilities, to begin June 1, 2011.”
  • “Lander University, a public comprehensive university in the upstate region of South Carolina, seeks a qualified candidate for a tenure track, Assistant Professor in English….The successful candidate will have a terminal degree (MFA or PhD or equivalent) with a concentration in creative writing, and outstanding promise as a writer and teacher. Duties will include teaching composition, all levels of creative writing, as well as teaching other writing and composition classes.”
  • The University of Maryland seeks a Speechwriter/Communications Specialist, the University of New Mexico is looking for a Technical Writer, and the National League of Cities (D.C.) plans to hire a Writer/Editor.
  • And last, but definitely not least: You can still win a free copy of my short-story collection, Quiet Americans. One last giveaway (for now, at least) over on the Guide to Literary Agents blog.
  • Monday Morning Markets/Jobs/Opportunities

  • Subtropics has reopened for poetry submissions. “Thank you all for your patience.” Pays: $100/poem. Does not accept simultaneous submissions in poetry. More info here. (via @ALTA_USA)
  • From the Chicken Soup for the Soul series: “If you are Canadian, we are looking for stories from you! Send us your inspirational, humorous, or heartwarming stories. They don’t have to specifically be about Canada — they just have to be Chicken Soup for the Soul stories that take place in Canada or are written by Canadians. If you are not Canadian but you have a great story that took place in Canada (examples would be American college student at McGill, stranded travelers in Newfoundland on 9/11, great vacation stories) that is fine too. The deadline for story submissions is January 30, 2011.” Pays: “If the story or poem you wrote is published by us, you will be paid $200 upon publication of the book plus you will receive ten free copies of the book your story or poem appears in.”
  • Fans of the “Modern Love” column in The New York Times may be interested in the recently-posted guidelines on “how to submit Modern Love essays.”
  • The Texas Institute of Letters administers an array of literary awards open to entrants who were born in Texas or “lived in Texas for at least two consecutive years at some time.” A literary work “whose subject matter substantially concerns Texas is also eligible.” The next submission deadline is imminent (January 9), and there are no entry fees.
  • “Babble.com is looking for a parenting news blogger to join the fastest growing website for parents, with 4 million uniques and counting. The job involves contributing a minimum of two posts per day to Strollerderby, Babble’s breaking news blog written by the web’s most tuned-in, best-informed, wittiest parents.” Check the announcement on MediaBistro.com (site registration required).
  • I am seeing some interesting freelance opportunities posted on Twitter by @femministas, which I discovered (I think) thanks to @JennCrowell.
  • For poets, fictionists, and writers of creative nonfiction: Lots of free-to-enter competitions and paying calls for submissions were packed into our January Practicing Writer newsletter, which went out to subscribers last Thursday. Read the issue online here.
  • Roger Williams University (R.I.) seeks a Director of Marketing, Johns Hopkins University (Md.) is looking for a Director of Communications & Marketing, and the University of California-Berkeley invites applications for a Writer/Editor.
  • The Wednesday Web Browser

  • This week, I’m reading Andrew Furman’s new memoir, My Los Angeles in Black and (Almost) White. It’s a very absorbing read—and I’d say that even if Andy weren’t a friend! Over on her Reading for Writers blog, A. P. Bucak, who has already finished the book, seems to feel the same way.
  • Stacy Schiff shares advice for aspiring biographers.
  • You still have three days to buy Christmas presents, and Writer Abroad has some gift suggestions for the international writers on your lists.
  • My latest book review tackles some questions about how anthologies are compiled.
  • The ever-reliable After Deadline blog presents a new batch of “notes from the newsroom on grammar, usage and style.”
  • Monday Morning Markets/Jobs/Opportunities

  • WritersWeekly.com needs Success Stories. “Have a Freelance Success Story to share? We pay $40 on acceptance, non-exclusive electronic rights only. Success stories run around 300 words but we’re very flexible. Our guidelines are here: http://writersweekly.com/misc/guidelines.php.”
  • From Sage Cohen: “Would you love to take the Poetry for the People Level 1 or Level 2 class starting in January but can’t afford it? Then you qualify for The Poetry for the People Scholarship. And the time to apply is now….I’ll be accepting applications for the Poetry for the People Scholarship from Thursday, December 16 through Friday, December 31. The scholarship recipient for each class will be chosen based on the following criteria: demonstrated past effort, need, and enthusiasm as determined by Sage Cohen.” There is no entry fee, and each scholarship (one for the Level 1 class and one for Level 2) is a full scholarship. (I’ve taken both of these classes, and I can attest that they’re fabulous.)
  • A forthcoming Madonna anthology seeks submissions from women writers: “I’m looking for sharp women-authored nonfiction essay submissions for a new anthology (to be published by Soft Skull Press in winter 2012) about our favorite freaky feminist singer/artist/’Sex’-er/mother/material girl: Madonna. She’s been such a powerful, iconic cultural figure for the past 27 years (!). For women and girls in America, it’s almost impossible not have been influenced, in some way, by her media presence. I want to hear how Madonna has changed your life. Love her or hate her, you probably have an opinion. Whether you think she’s a genius marketing maven, a pioneering feminist businesswoman or little more than a very rich stripper, I want to hear your perspectives. How did her work affect your feelings, your mindset, your sexuality, your ambitions? How did seeing her videos on MTV change the way you thought about growing up female? How did your parents react when they heard you singing the lyrics to ‘Like a Virgin’ at the dinner table? What was it like the first time you saw her perform live? What about her pisses you off to no end? I don’t care if you love her or loathe her. Just own a strong point of view, and write your essay in an honest, thoughtful, engaging fashion. Having a very specific, unique, or unexpected angle is a plus!” Pays: “a small stipend ($TBD) upon publication” and two copies. Deadline: February 15, 2011. (via Susan Johnston’s UrbanMuseWriter Twitter feed)
  • From Holland Park Press (U.K.): “To celebrate the release of Arnold Jansen op de Haar’s King of Tuzla, Holland Park Press is holding a short story writing competition, because often fiction describes reality more truthfully than an item on the evening news. The task: You are asked to write a short story set in a conflict zone. The story should not contain more than one thousand words.The story can take place anywhere in the world and be set in the past or present but not in the future.” Prize: £100 and online publication. No entry fee. Deadline: December 31, 2010. (via WinningWriters.com)
  • “The Creative Writing Program of the Department of English at the University of Arizona invites applications and nominations for a tenure-eligible advanced assistant professor or tenured associate professor in creative nonfiction/environmental writing, to start August 2011.We seek an outstanding writer with significant publications and demonstrated excellence as a teacher to work with students at the graduate and undergraduate level in the creative writing program and in other English programs such as Literature or Rhetoric, Composition, and the Teaching of English, if appropriate. Publications must include at least one book from a reputable press. A secondary expertise in poetry or fiction is also welcome, but not required.”
  • “The Brief-Residency MFA Program and the Department of English & Theatre at Eastern Kentucky University seek applications from fiction writers for an entry level, tenure-track position at the rank of assistant professor in creative writing. Though we seek a fiction writer for this position, we will consider applications from writers who specialize in creative nonfiction, as long as these applicants can demonstrate the ability to teach graduate workshops in both fiction and nonfiction.”
  • Rhode Island College is looking for an Assistant Professor of English (Creative Writing-Fiction) (click “Faculty Positions”). Prefers “some college teaching experience; subfield in literary nonfiction and/or young adult creative writing” as well as “experience supervising the production of an undergraduate literary journal; willingness eventually to play a significant role in program promotion and administration.”
  • Wright State University seeks a Public Relations Writer, George Washington University (D.C.) is looking for an Electronic Communications Writer/Editor, and the Office of the Manhattan Borough President plans to hire a Speechwriter.
  • Review of Promised Lands: New Jewish American Fiction on Longing and Belonging

    My latest book review, a discussion of Promised Lands: New Jewish American Fiction on Longing and Belonging (Brandeis University Press/University Press of New England, $26.00), edited by Derek Rubin, is now online at JewishJournal.com. As good as most of the stories in this anthology are–and they are, indeed–this was a challenging review to write. See what you think of this review, and please consider the questions that I’ve raised there about how anthologies are compiled. I’m interested in your thoughts.