Weekend Web Wanderings

Usually, I limit writing-link roundups to the “Friday Finds” posts. But I’ve run across so many interesting items over the past couple of days that I’m going sharing an exceptional set of “Weekend Web Wanderings” today as well. Hope that you enjoy!

  • Over on the Ploughshares blog, Rebecca Makkai advocates “writing as if…”. (h/t @occasionallyzen)
  • There’s something kind of whiny about this piece by Lionel Shriver on how much non-writing is involved in a writer’s work life. But there’s also something true about it.
  • Fascinating interview with poet Nikki Finney. Among the thought-provoking morsels: “Nobody wants to hear your rant. If you want to rant and if you want to be full of rage, you can put that in your journal book. Art is about the provocative, but it is also about the beautiful. I never forget that. They go hand in hand for me.”
  • Carol Tice takes on the subject of early-reader reviews–and how to make them better.
  • And I’m cheating a bit with this one. Let’s just say that I’ve recently been “inspired” to revisit my own “7 Reasons This Writer May Unfollow You on Twitter.”
  • Friday Finds for Writers

    Treasure ChestWriting-related resources, news, and reflections to enjoy over the weekend.

  • Beautiful essay by Daniel Nester on the influence of poet Philip Levine.
  • “Scratch Magazine publishes smart, useful stories about the intersection of writing and money. Scratch is for writers of all genres and trades—and for anyone who wants to know where the publishing and journalism industries go from here. Each quarterly issue features in-depth interviews, reportage, resources, and personal stories about the work of being a writer.” Check out the free preview issue. Perhaps, like me, you’ll decide to subscribe.
  • Ethan Gilsdorf: “Schmoozing: It’s the dirty secret that makes the writing world go ’round. This skill is especially key to freelance writing, but really it’s what connects the movers and shakers and wannabes that make up writing’s major genres — fiction, nonfiction, poetry, screenwriting, playwriting.”
  • Michael Nye on the waiting-game part of litmag submissions/publication. Related topic: Jessica Bell takes us behind-the-scenes at a literary journal (hers).
  • On the Ruminate magazine blog: reflections on perseverance, from one of the magazine’s contest winners. (via Jessica Wilbanks)
  • Have a great weekend, everyone!

    Friday Finds for Writers

    Treasure ChestWriting-related resources, news, and reflections to enjoy over the weekend.

  • “6 Reasons a Workshop Jolts Your Writing,” courtesy of The Writer magazine.
  • Dinty W. Moore shares some thoughts on the advantages of the MA (not just the MFA) in Creative Writing.
  • An interview with literary critic Dwight Garner.
  • Kate Hopper on her memoir’s 10-year journey to publication.
  • A Q&A with Kate Gale, managing editor of Red Hen Press.
  • Have a great weekend, everyone.

    Friday Finds for Writers

    Treasure ChestWriting-related resources, news, and reflections to enjoy over the weekend.

  • If you were under a rock or otherwise off the grid yesterday, you may be one of the last people to not yet know that Alice Munro has won the 2013 Nobel Prize for Literature. Some of the Munro-related material that I’m looking forward to sifting through this weekend includes a treasure trove of appreciations that appeared in Virginia Quarterly Review several years ago, a blog post and review essay by D.G. Myers, and a Missouri Review essay by Cheryl Strayed.
  • A timely post (given the above) on “what makes a good short story,” by Best American Short Stories series editor Heidi Pitlor. (h/t @JonnyPapers, though soon after he shared it, I saw it everywhere.)
  • For your weekend listening: a podcast of a conversation between André Aciman and Aleksandar Hemon on displacement, exile, and memory.
  • Couldn’t wait to dig in when I saw that Rebecca Klempner had written a post on writing in the second person. (Then I was surprised and honored to see myself mentioned therein.)
  • I’ll admit it: I couldn’t accomplish as much as I do interview/Q & A-wise if I didn’t rely on email mode. Some writers think email interviews are just THE WORST. But there are ways to improve them, as Carol Tice points out.
  • Have a great weekend, everyone.