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Jewish Literary Links for Shabbat

by Erika Dreifus on
Disabled

  • From Women in Judaism: “We are delighted to announce the electronic publication of two new issues of Women in Judaism: A Multidisciplinary Journal. The journal can be accessed at www.womeninjudaism.org. Click on the following links to access the new issues: Vol. 8:1 http://tinyurl.com/7plstwa; Vol. 8:2 http://tinyurl.com/lgo2br.”
  • Lisa Katz goes “Beyond Amichai” in her take on contemporary Israeli poetry.
  • Discovered this extraordinary photo-essay-exhibit by Beth Burstein thanks to the lively discussion unfolding in a Generations of the Shoah (GSI) Facebook discussion group. As curator Sura Levine describes it, this work “explores[s] Burstein’s dual identity as an American born well after World War II and as the daughter of a Holocaust survivor. Intimate and public, these images function at the margins of both the documentary and fine art.”
  • Mazel tov to the National Jewish Book Awards’ latest winners and finalists.
  • Coming up February 16 in NYC: “Soviet-Jewish Experience in NYC, 1972-2000, In Fact and Fiction.” Featuring Anya Ulinich, Lina Zeldovich, Mikhail Iossel, Emily Rubin, and Anneliese Orleck. Tickets are $10 ($8 for Members of the CUNY Graduate Center).
  • Attention, book bloggers! “The Sydney Taylor Book Award committee is preparing to announce the best Jewish kidlit published in the past year. Winners will be revealed in mid-January, and there will be a blog tour for medal-winning authors/illustrators in February! If you’re interested in interviewing a winner and hosting a stop on the blog tour, please let us know! If you’d like to participate, please email Barbara Krasner(at)barbarakrasner(dot)att(dot)net and CC Heidi Estrin at Heidi(at)cbiboca(dot)org.”
  • Yesterday’s main feature on Jewish Ideas Daily was a piece titled “Among the Literati.” Its author: yours truly.

    • Shabbat shalom!
    (Photo by Reut Miryam Cohen.)

    Thursday’s Work-in-Progress: Musings on and Resources for Micro-Essays

    by Erika Dreifus on
    8

    If you follow me on Twitter, you may have caught my delighted announcement last Saturday about a just-accepted essay. In fact, last week was pretty remarkable, because I received two essay acceptances. But the Saturday acceptance was notable for a couple of reasons.

    First, that acceptance came after the same piece (or some iterations of it) had been rejected several times. Nowhere near as many rejections as some of my short stories have suffered on their way to publication–but still, finding this piece a home was by no means a super-smooth (or super-swift) process. By the time this essay is published, nearly one year will have elapsed since I began sending it out.

    Second, the accepted piece exemplifies something that seems increasingly integral to my writing practice: the micro-essay (also known as flash nonfiction). I have two other new micro-essays circulating right now (yes, one of them developed from the poetry exercise I mentioned not long ago). If you add up the word counts of the three pieces–the one that was just accepted and the two newer ones–you don’t even reach 1500 words.

    I’m only beginning to understand how and why this focus is developing for me. Which is why I was thrilled to discover “Focusing on Flash Nonfiction: An Interview with Dinty W. Moore” on the River Teeth blog this week. Among Moore’s many hats is the editorship of Brevity: A Journal of Concise Literary Nonfiction.

    In addition to sharing his expert take on crafting flash nonfiction, Moore recommends some journals that feature this type of writing. Which reminded me of two other places where one may find potential homes for micro-essays: Pamelyn Casto’s newsletter and The Review Review‘s flash fiction resource list (also useful for flash nonfiction).

    I suspect that I’ll be continuing to look for nice homes for flash nonfiction (not to mention additional places to read good examples of it), so if you have other suggestions–either for resource lists or specific venues–please share! Maybe we can come up with the “Ultimate List of Magazines & Journals That Publish Flash Nonfiction & Micro-Essays.”

    QUIET AMERICANS: A Jewish Journal Notable Book of 2011

    by Erika Dreifus on
    6

    The Jewish Journal of Greater Los Angeles–the largest Jewish weekly outside New York City–has named Quiet Americans a “notable book of 2011.” To say that I am honored is an extreme understatement. I am frankly overwhelmed to find my book in the company of the other “notable” works by Gershom Gorenberg, Hirsh Goodman, James Carroll, Simon Sebag Montefiore, Art Spiegelman, Joseph Braude, Michael Levy, and Deborah E. Lipstadt.

    In explaining the choice of Quiet Americans, Books Editor Jonathan Kirsch writes:

    History, as James Joyce once wrote, is a nightmare from which we struggle to awaken. But literary journalist Erika Dreifus is courageous enough to confront the terrors from deep within that nightmare in her debut work of fiction, “Quiet Americans” (Last Light Studio: $13.95), a deeply affecting collection of short stories that contemplate how the long shadow of the Holocaust falls across the lives of men and women who come alive in her work. She works in a lapidary prose, every word considered and chosen with care, and yet the writing is always clear and compelling. But Dreifus does not confine herself to the kind of character studies and slice-of-life sketches that are the stock-in-trade of so many short-story writers. Rather, she cares deeply about history — her own family history and the larger history that we all inhabit — and that’s what makes her stories both engaging and consequential.

    In addition to the notable books article, The Jewish Journal has also announced the winner of the first Jewish Journal Book Prize: Nancy K. Miller’s What They Saved: Pieces of a Jewish Past. Read more about that book–and The Jewish Journal‘s literary coverage, right here.

    The Wednesday Web Browser for Writers

    by Erika Dreifus on
    Disabled
  • As a short story writer who really has to stumble on some magical inspiration to begin (let alone finish) a novel, I am fascinated by Sarah Salway’s post, “How Do You Start a Novel?”, which features a range of voices.
  • Beth Kissileff provides sound “Writing Advice About Writing Advice.”
  • I’ve lost count of how many times I’ve seen Anne Trubek’s New York Times Book Review essay on “Why Authors Tweet” mentioned on Twitter. But in case you’ve missed it, here’s the link.
  • In her usual generous and practical manner, Kelly James-Enger reveals her 2011 freelance earnings. (If you’re a full-time freelancer, you can pay it forward by completing the survey linked within the post.)
  • Love Diane Lockward’s look back on her poetry-filled year (not to mention the hat tip to Lisa Romeo). (My thanks to Diane for including me in some of her outward-focused poetry activities.)
  • Huge thanks to David Abrams for hosting me over on his amazing blog, The Quivering Pen, where I’ve just contributde a fresh take to the “My First Time” series by confessing what it’s like to receive the first punch-in-the-gut review of one’s book. (By the way, David is looking for other guest-bloggers for that column: “The Quivering Pen blog is looking for published authors to guest blog for the weekly feature ‘My First Time.‘ Have an interesting story to tell about your first experience(s) in writing and/or publishing? Drop me a line at david dot abrams at gmail dot com. I’ll be glad to send more guidelines. Please feel free to re-share, Tweet or email to all your writer friends, too.”)

    • Words of the Week: Harvey Freedenberg, on Tony Judt

    by Erika Dreifus on
    Disabled

    “Because Judt’s fearless opinions are expressed so pointedly and with such passion, it’s unlikely readers will ever find themselves in total agreement with him. But whether one adopts or rejects his worldview, this invigorating dialogue grants us the privilege of encountering a fertile mind in all its vibrancy, gone far too soon.”

    Source: Harvey Freedenberg’s Shelf Awareness review of Thinking the Twentieth Century, by Tony Judt with Timothy Snyder. I’m grateful to Harvey helping me articulate some of my own complicated feelings about Judt and his work, which I first encountered (and admired) as a student of European history, but later shrank from when it came to Judt’s take on Israel.