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Words of the Week: Liel Leibovitz

by Erika Dreifus on
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To argue that only an openness to all points of view is acceptable, to claim that unless we invite our fiercest critics into our house and let them thunder we’re somehow abdicating our responsibilities as mindful and moral human beings is to adhere to the most flightless form of relativism, the kind that believes in nothing save for the fact that all values are equal, which, of course, makes all values meaningless.

Source: Liel Liebovitz, “Why Talk About Israel With People Who Want It To Disappear?” (Tablet)

Monday Markets for Writers

by Erika Dreifus on
Disabled

Monday brings the weekly batch of no-fee competitions/contests, paying submission calls, and jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction).

  • Don’t forget that the March issue of The Practicing Writer went out to subscribers at the end of last week. Tons of opportunities as per usual within.

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    Sunday Sentence

    by Erika Dreifus on
    Disabled

    MudAnother Sunday when I participate in David Abrams’s “Sunday Sentence” project, which asks others to share the best sentence(s) we’ve read during the past week, “out of context and without commentary.”

    It’s much muddier than a binary, and I’m not the only writer who has lived in the mud.

    Source: Leslie Jamieson, for The New Republic, on “MFA vs. NYC”

    Friday Finds for Writers

    by Erika Dreifus on
    2

    Treasure ChestWriting-related resources, news, and reflections to enjoy over the weekend.

  • Statistically speaking, it’s easier for poets and nonfiction writers to have their work accepted by Colorado Review than it is for fiction writers. But it isn’t exactly easy for anyone.
  • Some of the young ‘uns may not quite appreciate Nick Ripatrazone’s “Miss You, SASE: On Postal Submissions” as much as some of the elders among us are likely to.
  • From Publishers Lunch: “The latest VIDA statistics assessing gender representation in book reviews continue to draw comment and response. But VIDA’s lens, expanded this year to include more publications, still primarily examines periodicals and journals and overlooks the substantial body of daily and weekly book reviews in large-circulation newspapers. That’s exactly the world we have tracked for years in our Publishers Marketplace Book Reviews database (also shown via our cool Top Reviewers tool), which offers a rich data set for analysis. In examining that data over the past 5 years, there are some interesting findings that may expand on the view that VIDA has depicted.” Indeed.
  • Speaking of book reviews: I’ve always heard nice things about Laurie Hertzel, books editor for Minneapolis’s Star Tribune, so I was intrigued to discover this interview with her. (Fun fact: Hertzel is also an MFA student!)
  • And last, but absolutely not least, I recommend that you spend some time this weekend with David Gessner’s smart and thoughtful take on “The Essay’s Place.”

    • Have a great weekend, everyone. (Practicing Writer subscribers, look for your March issue to arrive shortly!)

    Jewish Literary Links for Shabbat

    by Erika Dreifus on
    Disabled

    Photo Credit: Reut Miryam Cohen
    Every Friday morning My Machberet presents an assortment of Jewish-interest links, primarily of the literary variety.

  • Superb review by Ron Radosh of a new book by John Judis, Genesis: Truman, American Jews, and the Origins of the Arab/Israeli Conflict. (You’ll recall my enthusiasm for the book that Ron Radosh co-authored with Allis Radosh covering some similar territory.)
  • This week also brought an excellent piece by another author I admire: Lucette Lagnado’s “Anti-Israel Jews & the Vassar Blues.” (And to refresh your memory, here’s my take on Lagnado’s The Man in the White Sharkskin Suit.)
  • Learn more about Fig Tree Books, a new publisher for fiction on American Jewish experience, in this Q&A with senior editor Michelle Caplan.
  • Beth Kissileff writes about “‘Ex-Frum’ vs. ‘Datlash’: Two Very Different Literary Genres.”
  • “Sotto Voce” is “a dream play in which a passionate, Jewish-Cuban young man (Saquiel) sets out to recover memories of the S.S. St. Louis which, in 1939, left Nazi Germany for Cuba filled with Jewish refugees but was turned back by Cuba, the U.S. and Canada.” And it’s in New York until March 9. (h/t @BarbaraKrasner)

    • Shabbat shalom.