Thursday’s Pre-Publication Post: E-books, Or When Seeing Your Work In Print Is Only Part of the Story

For a long time, the dream was relatively simple. And focused. It involved seeing my story collection, Quiet Americans, in print. As in: a book. With pages one could turn.

But, as you may have heard, there’s a new kid on the publishing block: the e-book. Actually, he’s not just one kid. He’s got multiple platforms.

If I haven’t been linking here on Practicing Writing to lots of articles about e-books–how to publish them, how to read them, how popular they’re becoming–maybe a little bit of that is due to my not-so-subconscious desire not to have to deal with them insofar as my own work is concerned.

You see, I already have a full-time job, and getting my story collection into print has quickly become almost equally consuming. Getting the collection ready for e-publication that is far more sophisticated than the simple downloadable pdfs used for my old market directories seems to be one layer of responsibility too many.

But it will happen. My publisher seems to be pretty comfortable with the Kindle platform, so that may well be the first vehicle we turn to for Quiet Americans once the print version is complete. (In fact, literally just yesterday, my publisher blogged about the recent royalty-related developments affecting books published via Amazon/Kindle.)

But how many of you rely on the Kindle? How many use other systems?

And for those of you with experience transforming your words from docs on your screen to paid-for content on others’: How did you do it? Let’s leave aside those of you working with big publishers who can easily handle the task for you. Have you used Smashwords? Have you required the services of a freelancer to format and prepare your text? What do you wish you’d known then that you can share now? I’d love to learn from your experiences.

Quotation of the Week: Allegra Goodman

As I mentioned on my other blog awhile back, I’ve been looking forward to reading Allegra Goodman‘s new novel, The Cookbook Collector. I pre-ordered a copy and finally began reading on Sunday evening. So far, so great!

Last week, my mom and I attended a terrific literary event here in New York that featured Allegra and novelist Cathleen Schine in conversation with Sandee Brawarsky, book critic for the New York Jewish Week. At one point, Allegra offered the following comment about something that she sees as a real plus of novel-writing:

“Your work can be intensely personal without being autobiographical.”

So true! So important! So under-appreciated!

The degree of interest readers show in the autobiographical elements of fiction never fails to amaze me. Admittedly, I’ve been guilty of this interest as a reader, too. But I hope that my crimes are fewer and further between now that I have some experience as a fiction writer myself.

In truth, there are pieces of “me” in all of my fiction, even if I may be the only one who can pinpoint each of them. And the characters that might outwardly resemble “me”–one example comes to mind from a story workshopped long ago; several classmates told me they were convinced that one character in that story was, in fact, me, thinly disguised–can be the ones furthest from my own experience.

Recent Reads: The J-Word, by Andrew Sanger

As a Jewish-American, I’m very interested in the experiences of Jews in other countries, past or present, factual or fictional. Andrew Sanger‘s debut novel, The J-Word, presents one such glimpse into 21st-century Jewish life–in England–by focusing on octogenarian Jack Silver and his family. (If Sanger’s name is familiar, that may be because you’ve seen him guest-blog right here on My Machberet.)

What I found here–apart from certain figures of speech, a pronounced recurrence of teatime, and a greater focus on “football” (soccer) than we tend to find in American literature–were many similarities with threads of Jewish experience in the United States. To be sure, Jack’s long-sustained quest to become truly “English” and fully assimilated is a situation quite familiar to readers of Jewish-American literature. The incorporation of prayer snippets and Yiddishims is another link (anyone needing refreshers or translations will find them in footnotes and a glossary). But the book also reflects newer aspects of Jewish contemporary experience that cannot fail to resonate in an American reader just as they might in an English one.

Take, for instance, these musings from Jack, shortly after he is attacked by a gang in what is clearly an anti-Semitic hate crime:

Maybe the answer is education. An intelligent, aware population. That, he realised, was an impossibility. Some of the best educated people hate Jews. So a liberal, tolerant society? He grimaced at the thought. In his mind he saw ranks of pale, thin-lipped English men and women saying ‘we’re not antisemitic,’ the readers and writers of the Guardian and the Independent, sympathising with suicide attackers, calling for boycotts and spreading hatred of Israel. He laughed bitterly. ‘Oh no, it’s only Israel and its supporters we hate,’ he said, ‘not Jews.’ The Guardian and the Independent and the BBC are leading us to the next Holocaust. Then they will be able to report on it with horrified condemnations. What about the Jews who take that side, too – Harold Pinter and the rest? Fools!

Now, I happen to be a reader who appreciates a good dose of politics in fiction, and I also happen to be someone who discerns with increasing frustration in some American media outlets much of the same content/opinion that Jack highlights here on the English side. In other words, I am sympathetic to Jack’s particular political views. I admire Sanger’s writing here very much. It takes bravery to write like this. It also takes skill. Whatever Sanger’s personal views might be, these few lines convey at least as much power and conviction as might a full-fledged op-ed. But undoubtedly, some readers may not share my enthusiasm on these points.

I haven’t done justice here to this novel, which merits a much more detailed examination, so I will send you to some other sources. Meantime, I’m quite glad that I’ve had the opportunity to read The J-Word, and (disclosure!) I’m grateful to the publisher for the review copy.

Further Resources:

Super Splendid Terrific Conference News

Last Friday, the Association of Writers and Writing Programs (AWP), announced its “tentative list of accepted panels for the AWP 2011 Conference & Bookfair in Washington, D.C.at” The final list will be available in October (the conference is slated for early February 2011).

I was thrilled to learn that the following panel is among the accepted events:

Beyond Bagels and Lox: Jewish-American Fiction in the 21st Century
Erika Dreifus, Andrew Furman, Kevin Haworth, Margot Singer, Anna Solomon
Jewish-American fiction has long been seen as a literature of emigration from the shtetl, assimilationist angst, and overprotective parents. But what’s nu? How do Americans born decades after the Holocaust and the birth of the State of Israel deal with those complex subjects in fiction? Who are the new Jewish immigrant characters? How does American Jewry’s more than 350-year history inspire plot/setting? And how are writers today influenced by Judaism’s rich multilingual and spiritual legacy?

At least two other events on the list seem linked to issues of Jewish writing: “Two Jews, a Catholic, a Buddhist, a Mennonite Sufi Shaman, and a ________ walk into an AWP Panel: Geography’s Influence on Writers Writing Religion and Culture,” featuring Eric Wasserman, Ira Sukrungruang, Heather Derr-Smith, Bich Minh Nguyen, Erika Meitner, and Mary Biddinger; and “Jewish Guilt,” with Janice Eidus, Carol V. Davis, Marjorie Agosin, Ruth Knafo Setton, and Elaine Terranova.

It’s wonderful to see Jewish writing acknowledged and celebrated in the conference program. Now, to prepare some excellent presentations! Stay tuned–I’ll be asking for reader input!

Friday Find: Five Sources for Daily Poetry

Earlier this week, I alluded to the fact that I subscribe to several e-services that send me a poem every day. I’m sure that many of you subscribe as well, but I thought I’d provide five representative services for those who have yet to try them.

Enjoy, and have a wonderful weekend. See you back here on Monday!