Wednesday’s Work-in-Progress: How Some People Get to Write

Where most of us seem to agree:  coffee helps.
Where most of us seem to agree: coffee helps.

During the past week, an item from The New Yorker‘s “Page Turner” blog lit up the writerly Internet. Everywhere I looked, it seemed that people were admiring, sharing, and otherwise recommending Roxana Robinson’s “How I Get to Write,” which details the routine that the author follows to bridge that gap each morning between awakening and reaching the moment when she “start[s] in, tapping at the keyboard.”

But in some venues–a listserv for freelance writers, a Facebook discussion–I noticed that a few people were commenting that Robinson’s routine, while idyllic, sounded highly impractical. Some noted that their partners wouldn’t be as accommodating as Robinson’s husband is to the habit of “avoid[ing] conversation.” Others observed that while Robinson can focus on simply preparing her own morning coffee, many other people have children (and even pets) to feed and prepare for the day. For my part, I was acutely conscious of the absence of any mention of a need to leave the house and commute to a 9-5 job where writing fiction certainly wasn’t part of the position description.

To be sure, Robinson wasn’t necessarily prescribing a routine that the rest of us writers can (or should) follow. At some point, I think, we all realize that we need to find our own paths, even if others’ examples may prove to be illustrative. Personally, I appreciate knowing about others’ paths–sometimes. I’m simply not that interested in “how I write” accounts from those who seem to have few obligations beyond their own pages, or who are blessed with reliably ample chunks of time to structure as they choose more days of the week than not (yes, I’m talking to you, professors who teach one or two workshops each semester, and whose own writing, moreover, is considered part of the research/scholarship component of your college or university appointment).

Much for instructive, for me, is a piece like another one I read this past week. (more…)

Friday Finds for Writers

The weekly collection of writing-related resources, news, and reflections to read over the weekend.

  • First up: “Three Stories Unlikely to Make it Beyond the Slush”–at least at Indiana Review.
  • Next: I’m hoping to set aside some time soon to dig into The Open Notebook’s Pitch Database. It looks like a great way to see how other nonfiction writers–specifically, science writers–have successfully pitched features to major magazines and newspapers. (A tip of the hat to the member of the Upod group who shared this resource with the rest of us in response to another list member’s question.)
  • Let’s continue with some thoughts about poetry and our contemporary “mass-submission culture.”
  • And speaking of poetry: What are some of your favorite opening lines?
  • Among the highlights of the current issue of WOW! Women on Writing (which has a “Freelance Writing” theme) is this Q&A with Carol Tice, of “Make a Living Writing” fame.
  • Have a great weekend, everyone. As you read this, I’m already enjoying a mini-vacation in New England. See you back here on Monday.

    Friday Finds for Writers

    For the weekend: some writing-related reflections, news, and resources to enjoy.

  • First up: An assortment of authors’ book-promotion tips. I’m most intrigued by C. Hope Clark’s endorsement of the Square Card Reader, pictured to the left. (You may have seen Square elsewhere in the news this week, too.)
  • Next: “Got an MFA? Teach high school,” advises Nick Ripatrazone.
  • The Kenyon Review interviews George Singleton, on being told to “stick to fiction” in a poetry workshop, and other literary matters.
  • Sam Tanenhaus, who edits The New York Times Book Review, describes a typical workday and exemplary criticism.
  • Roxane Gay presents writers of color.
  • And in case you’ve missed the mentions elsewhere: I’m coming to Boston! And if this seminar on writing conferences, contests, and residencies appeals to you, please join us!
  • Have a great weekend. See you back here on Monday.

    FROM THIRTYSOMETHING TO MOVING WATERS: A Q&A WITH RACELLE ROSETT

    About three years ago, I gave a presentation on publishing short stories at a conference run by the Jewish Book Council here in New York City. Among the attendees was Racelle Rosett, who impressed me immediately as someone who knew quite a lot about writing short stories and who also shared my interest in writing about Jewish experience. We have stayed in touch since that conference. I’ve been delighted to see Racelle’s stories in print and online, and I’ve recommended them to friends and family. Now, I’m thrilled to introduce Racelle here on the occasion of the publication of her debut story collection, MOVING WATERS.

    Racelle Rosett is the winner of both the MOMENT Magazine-Karma Foundation Prize for Jewish short fiction and the LILITH Fiction Prize. Her work has also appeared in TIKKUN, PLOUGHSHARES, NEW VILNA REVIEW, JewishFiction.net, SANTA MONICA REVIEW, and ZEEK. As a television writer, she won the WGA award for THIRTYSOMETHING. She lives in Los Angeles with her husband and two sons.

    Please welcome Racelle Rosett!

    ERIKA DREIFUS (ED): Racelle, congratulations on the publication of MOVING WATERS. Your background includes a successful career writing for television. How has that background infused your work as a writer of short fiction? (more…)

    Friday Finds for Writers

    For the weekend: some writing-related reflections, news, and resources to enjoy.

  • Let’s begin with an item from ASJA’s “The Word” blog, in which freelancer Margie Goldsmith tells us “How to Conduct a Successful Interview.”
  • Next up: “The more I looked at stories where I’d never read past page one, the more I realized how many of them lacked clarity. Even as I read, I never really knew what was going on. Or I couldn’t keep the characters straight. Or I couldn’t picture the physical details being thrown my way. And this lack of clarity was preventing me from being engrossed enough to turn the page.” So writes Robin Black, in a terrific (and for this practicing writer, wonderfully timely) “rerun” Beyond the Margins post on story beginnings.
  • “What’s the state of American fiction today? VPR Presents Washington Post Book Critic Ron Charles. He speaks at the Vermont College of Fine Arts with VCFA President, Thomas Greene, about the decision not to award a Pulitzer Prize for fiction last year, how books are selected for review, and why people really read ‘Fifty Shades Of Grey’.” I’m setting aside some time this weekend to listen.
  • This will also require some sustained attention: a list of the 20 most popular freelancing-related posts of the year (so far) on Carol Tice’s blog.
  • Finally, I’m very proud of this piece, “Remembering Munich, in Fact and Fiction,” which went live on The Forward‘s Arty Semite blog yesterday. The “fiction” in question is my own (“Homecomings,” a story in Quiet Americans). I may have more to say about this post next week. For now, I’ll just be grateful if you read it.
  • Have a great weekend, all. See you back here on Monday.