Thursday’s Pre-Publication Post: Anticipating the Worst

“Anticipating the Worst” may not be the most uplifting or optimistic phrase I’ve used in any of these pre-publication posts to date. Overall, it’s been a joy and a blessing simply to know that my story collection, Quiet Americans, is going to be published.

But this weekend, as I sat with a printout of the designed book interior, reading through the entire book (aloud) to catch any last glitches (yes, there’s a professional proofer at work as well), I became a bit queasy. What if these stories aren’t quite as good as I’d hoped they were? What if people begin reading and dislike the writing intensely? What if the reviews are uniformly negative?

Admittedly, some of this newfound nervousness may be due to two concomitant factors: this week’s focus on negative reviews in Janice Harayda’s #bkrev tweets, and my visiting a number of book bloggers’ sites and reading their review policies, many of which warn (fairly and honestly) about the possibility of negative opinions.

Then, too, I’m sure it’s natural that as a publication date approaches one simply becomes a little fearful about the book’s reception. Right? Right? Totally normal.

It may be normal, but it’s also nerve-wracking. I’d love some tips from other authors about managing this kind of pre-pub anxiety. Please share–and thank you in advance.

Thursday’s Pre-Publication Post: Behind the Screens

Thanks so much to all of you who took the time to comment last week when I presented the cover of my forthcoming story collection, Quiet Americans. I’m so glad that you agree with me: The cover designer has done an wonderful job.

Since last week, lots of behind-the-scenes (or, should I say, behind-the-screens) work has been taking place to build up my brand-new website. I’ve mentioned before that the impending book publication has motivated me to try to consolidate my various online locations/projects/identities. A couple of days ago, the talented web designer I’m working with unveiled a mockup of the homepage. All I’ll reveal for now is this: If you like the book cover, you’ll love the homepage!

The cover is also appearing on the Facebook page I’ve just created to help share information about the book (and hold contests/giveaways). I hope that you’ll “like” that page, too–in all respects! (But please forgive me in advance if I keep my personal Facebook goings-on more or less limited to family members and those of you I’ve met/worked with/studied with/etc. in “real life.” For now, at least.)

Thanks again for the enthusiasm about the cover. It really means a lot to me!

Thursday’s Pre-Publication Post: Giving Thanks

This week’s post will be relatively short and sweet. The crux of the message is simple: THANK YOU!

You have all been wonderfully receptive and supportive since I began tracking the pre-publication life of my story collection, Quiet Americans, earlier this year. You’ve read these posts. You’ve commented. You’ve opined.

I’m so grateful for all of that. I’m also grateful to those of you who have taken the time to send me messages privately. Some of you have written incredibly comprehensive messages packed with advice from your own experience and expertise. And since I’ve sometimes been on the giving end of the advice spectrum, I know how much time that can take. So here’s a special, public thank-you to you (and what really amazes and humbles me is that among you are both people I know in “real-life” and practicing writers I didn’t even know read this blog until I received their messages).

Whether you’ve offered me sage advice, the names of contacts for potential reviews or readings, or, in one case plucked from this week’s correspondence, an actual venue where I can sign copies of Quiet Americans next year, your generosity means more to me than you can imagine. So I’ll say it one last time (for now): THANK YOU.

Thursday’s Pre-Publication Post: "Real-Life" Characters in Fiction

One of my favorite themes in writing-about-writing resurfaced this week: real-life characters in fiction. A big thank you goes to the Hayden’s Ferry Review blog for leading me to Meg Rosoff’s blog post for the Guardian‘s Books Blog, “Tackling real-life characters in fiction is fine – as long as you do it well.”

Most of the writing on creating fictional characters from real-life personages focuses on recognizable people: historical figures, celebrities, and so on. (The tour guide who appears in my story “The Quiet American, Or How to Be a Good Guest,” may well be based on an actual tour guide, but I did not give too much thought to the implications of creating a fictional döppelganger in that case.) And it’s this traditional emphasis that continues in the Guardian post as well.

If that focus isn’t necessarily relevant in the context of the tour guide character, it’s much more applicable when viewed in the context of some other stories in Quiet Americans. “For Services Rendered,” which opens the book, includes as key characters Reichsmarschall Hermann Göring and his second wife, Emmy. (For some background on what inspired this story, and the research that went into it, you can read the essay I wrote for the Scribblers on the Roof website awhile back.)

“Real-life characters” (not to mention events) appear elsewhere in Quiet Americans. For instance, Golda Meir makes a cameo in a story titled “Homecomings.” (Admittedly, one of the MFA classmates who critiqued an early version thought I’d invented Mrs. Meir. But the first female prime minister of Israel was, in fact, a “real-life” person.)

And anyone who reads “Floating” and recalls the brouhaha concerning a certain state poet laureate and a 9/11 poem will be able to identify the real-life inspiration behind a certain sub-plot, even without the use of the poet’s name. I’m still not certain why I chose not to name the poet in that story. One may be this major difference between the other characters and the poet: The poet is still alive.

As I continued to think about my stories this week in the context of the Guardian article, I realized something else: In a way that’s quite different from the situation with “For Services Rendered,” where everything that Hermann and Emmy Göring say and do has major repercussions on the rest of the story, the real-life characters within “Homecomings” and “Floating” are minor players, presences that help illuminate aspects other, major characters and events in each piece.

Or at least, that’s what I think. Come January, we’ll see if you agree.