One Week Post-AWP Reflections

The good news about being so slow to summarize my time at the Association of Writers & Writing Programs (AWP) Conference in D.C. is that I’ve had a chance to read through some truly excellent, instructive, and entertaining recaps by others. The bad news is that I’m still not quite sure how to write my own summary/reflections.

Overall, it was a fabulous conference for me. So let’s start with the high points. Of which there were many. (more…)

Notes from Around the Web: Jewish Literary Links for Shabbat

A few literary links to direct your way before Shabbat:

  • Really fascinating take on “[Jonathan] Franzen, [Allegra] Goodman, and ‘The Great American Novel’,” by Gabriel Brownstein over on The Millions.
  • Many Mazel Tovs to the finalists for the Sami Rohr Prize for Jewish Literature. This year, the award will be presented to a fiction writer, and the contenders are Allison Amend (Stations West), Nadia Kalman (The Cosmopolitans), Julie Orringer (The Invisible Bridge), Austin Ratner (The Jump Artist), and Joseph Skibell (A Curable Romantic).
  • The situation in Egypt has inspired author André Aciman to revisit his memories of growing up (Jewish) in Alexandria.
  • Book critic Sandee Brawarsky recommends the poetry of Merle Feld.
  • Jewcy.com presents its canonical “50 Most Essential Works Of Jewish Fiction Of The Last 100 Years.” (hat tip, Jewish Book Council)
  • Less canonical, perhaps, but no less worth reading (at least in my view): the bibliography that accompanied a recent panel on Jewish-American Fiction in the 21st Century.
  • Last Sunday, I spent a lovely afternoon touring (and reading from my new book of short stories, Quiet Americans) at the National Museum of American Jewish Military History.
  • Speaking of my book, please check in with our blog tour. Our latest stops have taken us to the Jewish Muse and First Line blogs.
  • Shabbat shalom!

    Thursday’s Post-Publication Post: A Reading at the National Museum of American Jewish Military History

    When you’re a debut author from a tiny new press, not everyone will be willing to take a chance on you for a reading. At least, that’s what I figured. Which explains why, as soon as I knew that I’d be heading to Washington, D.C., for the annual conference of the Association of Writers & Writing Programs in early February, I didn’t bother to query the Library of Congress or Politics & Prose (even if I’d once lived a block away from the latter, and spent many happy hours–not to mention significant chunks of my first-year-after-college-paychecks–on its premises).

    I don’t recall exactly where or how I discovered the National Museum of American Jewish Military History (NMAJMH), but as soon as I saw its listing, I knew I was on to something very special. And I suspected that this relatively small museum might be receptive to hearing from me.

    I am a granddaughter of an American Jewish army veteran. More to the point, one of the stories in my new collection, Quiet Americans, is inspired by my grandfather’s military experience. That story, “Lebensraum,” is set primarily in Clarinda, Iowa, the site of a World War II prisoner-of-war camp. My German-born, Jewish grandfather–who was drafted into the army well before his naturalization was complete–supervised German prisoners in a camp kitchen. That unusual circumstance is the kernel that sparked “Lebensraum.”

    Several months ago, I sent my first email to the NMAJMH. Then, I gladly supplied the review copy that was requested. After that, a series of e-mail exchanges and a phone call with Assistant Administrator Mary Westley finalized the plan: I’d read from Quiet Americans on Sunday, February 6. I’d be able to sell and sign books at the museum, too.

    I arrived at the museum–located just off Dupont Circle–early enough to tour the building and its exhibitions. My mother had already alerted me to the fact that one of our fellow congregants had a special connection with the place: The NMAJMH has mounted a poignant exhibition honoring the memory of our co-congregant’s brother, Sanford (“Sandy”) Kahn, who was killed in Normandy in July 1944. He was nineteen years old. (I was especially moved to see a copy of Sandy Kahn’s Confirmation Class photo from 1938, as I know that back in our Temple, the wall that holds the original also includes pictures of my own Confirmation Class, and my sister’s.)

    Ms. Westley had arranged a number of comfortable chairs in one of the museum’s cozy rooms, and she’d also set out refreshments for the reading’s attendees. As delighted as I was to see my cousins Dennis and Sherry and my college buddy Brian among the audience, I was also very pleased to see plenty of unfamiliar faces.

    I read “Lebensraum” in its entirety, which took about a half-hour, and then I answered a number of questions. (One question came from a young woman who was seeking advice about where she might try to publish some Jewish-themed writing, and I was glad to be able to point her to a resource right here on this site.)

    Books were sold and signed, refreshments were consumed, and a good afternoon was had by all. (At least, that’s my impression!)

    Dennis and Sherry gave me a ride to Union Station, and as my train rolled back toward New York City, I thought about what a wonderful afternoon it had been. And I knew I’d have to post about it, not only because my hours there had added another segment to my post-publication journey, but also because I hope that the next time some of you find yourselves in Washington, you’ll pay a visit to the NMAJMH, too.

    The Wednesday Web Browser for Writers: Post-AWP Edition

    Last Wednesday, just as I departed for the annual conference of the Association of Writers & Writing Programs (AWP) in Washington, I left you with a slew of conference-related links. I returned on Sunday night (the conference itself ended on Saturday, but I stayed in D.C. for a Sunday afternoon reading). But I still haven’t managed to write up recaps/summaries of the panels and other events that made the conference especially wonderful this year.

    Luckily, though, other writers have proven far swifter. Herewith, some ways for you to glean (at least some of) the rich texture that is an AWP conference:

  • Poet Kelli Russell Agodon writes up her conference experience and concludes: “I confess, while I like to say AWP is overwhelming to me (and it is), it is worth a few moments of being uncomfortable for the bigger moments it produces.”
  • Talk about great timing! Debut novelist Ellen Meeropol (House Arrest) launched her book at AWP. Congratulations, Elli!
  • Writer and professor John Vanderslice managed to attend AWP and post a series of blog updates in the process. Thanks, John!
  • If you missed the conference, you can get a glimpse of what our friend Wordamour calls the “best conference bag ever”–and benefit from her other conference reflections.
  • For Tayari Jones, this may not have been the best AWP conference ever, but “it was okay.” Read more about it at Tayari’s blog.
  • As I’ve said, I’m still catching up. But I have managed to post the handout from the panel I presented (along with Andrew Furman, Kevin Haworth, Margot Singer, and Anna Solomon) on “Beyond Bagels & Lox: Jewish-American Fiction in the 21st Century.”