Jonathan Franzen in NYC on September 8

Some of will surely be otherwise occupied on Wednesday night (brisket, anyone? evening services?). But if you’re going to be in NYC and have been intrigued by all the attention going to Jonathan Franzen and his new novel, you may want to see the author himself at the Union Square Barnes & Noble.

As The Jewish Week has noted:

Jonathan Franzen is not Jewish. But his latest novel, “Freedom,” perhaps the most anticipated novel of the year, is chock full of Jewish characters. Centered on a mixed marriage between a Christian and a Jew, Patty Berglund is the Jewish half. Given Franzen’s penchant for superbly rendered characters, it’s no wonder that Patty seems an echt-upper class, secular American Jew. Or does she? There’s already been a fair amount of online chatter that Patty and, more importantly, about a family friend in the novel who is a prominent Jewish neocon, is more caricature than realistic character. Of the Jewish neocon friend, Franzen writes: “He spoke of the ‘new blood libel’ that was circulating in the Arab world, the lie about there having been no Jews in the twin towers on 9/11, and of the need, in times of national emergency, to counter evil lies with benevolent half-truths.”

Notes from Around the Web

It’s good to be back presenting Friday Lit Links for you! I have to confess that a shocking number of links this week will take you elsewhere within erikadreifus.com, but thankfully, I have managed to find several items worth your time elsewhere, too!

Let’s get going:

  • A conference presentation podcast I hope to listen to myself this weekend, on “what’s hot in Israeli fiction.”
  • This profile will help American readers get to known British author Howard Jacobson
  • A review of Jon Papernick’s new short story collection, There Is No Other (a book that I’m hoping to read soon).
  • A teaching job for an English-language fiction writer in the creative writing program at Bar-Ilan University in Israel.
  • An interview with author Allison Amend
  • And, given the rapid approach of the High Holy Days, an essay from my own archive: “Reflections During the Days of Awe.”

Shabbat shalom!

Friday Find: Where to Publish Your Work

Maybe some of you are planning to spend time this weekend mapping out submission strategies. After all, most of us here in the U.S. have a three-day weekend and a bit of extra time.

Here’s a resource that may help you, right here on erikadreifus.com: a page on “Where to Publish Your Work.” I hope that you find it helpful! And if you do, please share it with your friends/fellow writers.

Have a great weekend, everyone. This blog won’t take Monday off–we’ll see you back here then.

Teaching Position for a Fiction Writer in Israel

A job announcement from Israel’s Bar-Ilan University (Ramat-Gan):

The English Department at Bar-Ilan is seeking to fill a full-time appointment of a fiction writer to teach one graduate workshop in fiction, and two undergraduate literature courses a year, and to coordinate the fiction track of the Shaindy Rudoff Graduate Program in Creative Writing (http://www.biu.ac.il/HU/en/cw). Duties include advising MA fiction candidate theses. Qualifications: The successful candidate will have published at least one novel or short story collection with a reputable press, and will have experience teaching fiction writing in a university setting. Candidates with experience in literary nonfiction or translation, or who possess a Ph.D., are especially desirable. Contact: Dr. Marcela Sulak, Director; mmsulak(at)hotmail(dot)com.

Source: Chronicle of Higher Education

Thursday’s Pre-Publication Post: First Review Copies Out!

The big news this week is that there are tangible copies of Quiet Americans out there in the world.

There had to be.

You see, in order to be considered for pre-publication reviews in trade pubs like Publishers Weekly, you have to get copies in as early as four months ahead of publication. In the case of Publishers Weekly, for instance: “”Submissions must be sent (3) months–preferably (4)–prior to the 1st day of the month of publication.” For Quiet Americans, “preferably (4)–prior to the 1st day of the month of publication” was yesterday.

Galleys could have been made, but fortunately, finished copies are also acceptable. I say “fortunately” because galleys would have added another layer of expense that would have posed a significant strain given the newness and size of the press with which I’m working. And there’s no guarantee that any of the trade pubs we’ve contacted will review Quiet Americans, anyway.

In any case, there is now a (small) inventory of copies, most of which will be distributed to other review outlets in the near future. (Alas, everyone else will still have to wait until January!)
It’s a bit surreal to imagine my book showing up at Publishers Weekly, Booklist, Library Journal, and Kirkus. Surreal—and a little scary.