The Jewish Review of Books also has a new issue out (fyi—some content is paywalled). Included with a newsletter alert about the new issue: “P.S. We’re looking for a great web editor to help us revamp and ramp up our website. Cover letter, resume, and (brief) writing samples should be sent to jobs(at)jewishreveiewofbooks(dot)com.”
The Whole Megillah has announced “the debut of Holocaustkidlit.com, a new website featuring an online searchable database of children’s Holocaust literature published in the United States and Canada from 2002 forward (excluding self-published and educational titles).” Details here.
And one concluding note: We’ll be hosting the July Jewish Book Carnival right here on the My Machberet blog. For background on the project and instructions if you’d like to contribute a #JewLit-focused link (not a self-promotional one, if you please!), do check the Carnival HQ. Deadline: July 10.
If video is more your thing, check out the Forward‘s list of 10 Jewish movies you can stream for free (the Forward is calling them “overlooked,” but I’m not sure that’s always the case).
From the revelation that it took him about two years to really inhabit the protagonist of To the End of the Land to a reflection on how each of his books has been necessary to the writing of those that have followed, David Grossman shared a multiplicity of quiet insights—personal, professional, and political—during his recent appearance at the JCC Manhattan.
“The Koffler Centre of the Arts is proud to announce a significant new literary award in Canada – the Vine Awards for Canadian Jewish Literature.” (Unfortunately, I’ve found out about this too late to help anyone for the current round–submissions closed in early June.)
If I can manage to sit through a three-hour play, it may well be this one. And I’m sorry to have to miss this one–which I’ve just learned about but won’t be able to catch during its brief engagement.
“In this talk, novelist and literary scholar Dara Horn explores the role Hebrew can play in a living contemporary American Jewish culture, as she has experienced it as a reader and as an American writer. This lecture was part of the 2016 Stroum Lectures, ‘Hebrew and the Creative Imagination,’ hosted by the Stroum Center for Jewish Studies of the University of Washington.”