Friday Finds for Writers
Writing-related resources, news, and reflections to enjoy over the weekend. (more…)
Writing-related resources, news, and reflections to enjoy over the weekend. (more…)
Every Friday morning My Machberet presents an assortment of Jewish-interest links, primarily of the literary variety.
Shabbat shalom.
If you follow my Practicing Writing blog, you may recall that over the past several months, I’ve been trying to learn a little more about playwriting.
As with much of my creative work, I’m drawn especially to the idea of writing a play with specifically Jewish content. (Actually, I might adapt a short story by another writer, although I’ve also considered adapting work of my own.)
Part of my learning process to date has consisted of attending plays and, to stretch a popular phrase, “watching as a writer.” In the past 10 days or so, in fact, I’ve seen three Jewishly-focused productions: “The Model Apartment” (Judith Miller’s review for Tablet echoes my thoughts on that one); “Bad Jews” (about which I’m less enthusiastic than Miller is); and the standout: “Arafat in Therapy.”
A solo show written and performed by Australian-Israeli Jeremie Bracka, “Arafat in Therapy” came to my attention via The Jewish Week. Its format and style remind me of Anna Deavere Smith’s “Fires in the Mirror,” which I saw many years ago in Massachusetts (although Bracka did not use interviews to shape his characters). Again, I’m struck by the extraordinary talents that are involved in writing and performing these solo shows that feature multiple characters.
My personal ambitions are much more modest. At the moment, my main ambition is simply to learn how to write a play. Ideally, I’d do this in a Jewish context.
And if the Schusterman Foundation funds my #MakeItHappen micro-grant proposal, “Jewish Playwriting 101” will become a reality.
Read all about my idea. “Like” it! Share it! And let me know what you think about it!
Thank you.
If you haven’t seen it yet, the Association of Writers & Writing Programs (AWP) has published its latest “Annual Report on the Academic Job Market.” What seems most important and relevant to me, as a writer working in a full-time office job (at a university), is the report’s very first line:
AWP estimates that roughly 4,000 graduates receive advanced degrees in creative writing each year; yet the AWP Job List reports that just over 100 tenure-track creative writing jobs were available in 2012-13.
Even a terrible math student like me can see how discouraging those numbers are for any writer who pursued an MFA (or is in the process of doing so) with the hope of securing a tenure-track teaching position in creative writing. (more…)
“I didn’t write the book to defend Israeli policies, and I have never believed that, as a Jew, I should have to make the case for Israel’s existence to anyone. Whoever disputes it deserves to be scorned, not reasoned with.”
Source: Hillel Halkin, “Letters to an American Friend,” in Mosaic magazine.
This piece is a version of the introduction to a reissued edition of the book, which I’ve already pre-ordered.