“Ultimately, it comes down to one very simple rule: Israelis and Palestinians need to solve the conflict. It is not for the American activist to decide for them what the correct outcome should be. We can support, mediate and deescalate—but we cannot rescue. It never works.”
Source: Carly Pildis, “How to Talk About Israel and Palestine” (Tablet)
[Update, 8:00 AM, July 12: Shelf Awareness has included a clarification in today’s newsletter and added one to the archived version of the original interview. I’m grateful.]
As noted below, I’m an avid reader of the Shelf Awareness newsletters. I was especially intrigued as I began reading this Q&A in the “Pro” issue that I received yesterday morning. (The “Pro” newsletter “provides booksellers and librarians the information they need to sell and lend books. It appears every business day and is read by people throughout the book industry.”) And the featured novel still intrigues me—I’ve placed it on my tbr list, especially as I prepare to teach a course this fall on 21st-Jewish literature (the course will feature a unit on “Newer Immigrant Voices,” including voices that originate in the former Soviet Union).
But I was troubled by something in the author’s very first published response to a Shelf Awareness question. Below is the text the letter (well, the email) that I sent to Shelf Awareness right away. That was 24 hours ago.
I don’t yet see any corrections or clarifications online. Nothing was mentioned in today’s newsletter. But I said what I needed to say. And I’m sharing it. Continue reading ›
Three quick things. Continue reading ›
The weekly batch of no-fee, paying competitions, contests, and calls for submissions—plus jobs for those of us who write (especially those of us who write fiction, poetry, and creative nonfiction). These posts are intended to complement/supplement monthly issues of The Practicing Writer newsletter, where you’ll always find more listings, none of them limiting eligibility to residents of a single municipality, state, or province (this blog, on the other hand, does sometimes include those more restricted opportunities). Continue reading ›
In which I participate in David Abrams’s “Sunday Sentence” project, sharing the best sentence I’ve read during the past week, “out of context and without commentary.”
They showed Jane the photograph—she couldn’t really see by that point, but Denise says she knew, she knew, she saw, she knew, she heard, she smiled—and then she died.
Source: Jill Lepore, “The Deadline” (The New Yorker; online essay title is “The Lingering of Loss”)
Writing-related resources, news, and reflections to peruse over the weekend. Continue reading ›