Monday Morning Markets/Jobs/Opportunities

  • From WritersWeekly.com: “Eight Paying Health Markets.”
  • From Robert Lee Brewer: “I will consider poetry submissions for the 2013 Poet’s Market. 20 previously unpublished poems will be selected for publication in the book, and the poets will receive a paycheck for their poems.”  Deadline is August 15. Pays: “publication, $50 payment, and a contributor copy of the 2013 Poet’s Market.” For more information/detailed guidelines, see http://bit.ly/lpLaGQ.
  • The Brooklyner, to be published quarterly, is “currently reading for our inaugural issue, which will largely include fiction and nonfiction. We will also consider poetry, commentary on relevant pop culture, and reviews of the following: books, food, cruises, amusement parks, concerts, field trips, underwear, holidays. Also translations. We are not seeking novellas or novel excerpts.” Pays: $25-$75 for prose (depending on length); $25/poem.
  • Attention, writers in southwest England: “A new short story competition invites writers resident in the South West of England to submit stories of between 1,000 and 3,000 set in a sustainable future at any time between five and five million years from now. Will we have succumbed to the floodwaters, or will geo-engineering save the day? Did we cure our addiction to fossil fuels, or did it turn out not to be necessary? Will your story be narrated by one of your descendants, or a computer, or a jellyfish? Or does God have something to say about it all?” Deadline is 30 June 2011, and there is no entry fee. Cash prizes: First prize (£250), Second prize (£75), and Third prize (£50). “All prizewinners will be included in the ‘Imagine There’s a Future’ Anthology to be published September 2011. Highly commended entries will be included in the anthology with the authors’ permission.”
  • Poets & Writers, Inc., is looking for an Assistant Online Editor.
  • Syracuse University (N.Y.) seeks part-time faculty to teach reading and writing fiction and introductory fiction.
  • Emerson College (Mass.) is looking for a Program Coordinator for its Department of Writing, Literature, and Publishing; the New York City Department of Health and Mental Hygiene seeks a Multimedia Assistant; and SEIU Local 49 (Portland, Ore.) invites applications for a New Media Organizer.
  • Notes from Around the Web: Literary Links for Shabbat

  • Josh Lambert examines “why a growing number of today’s young Jewish fiction writers…are grounding their novels in scholarly research.”
  • Author Hans Keilson has passed away.
  • “You are Jewish. Or you aren’t Jewish. Either way, you wonder about the relationship of Jews in the United States to Israel. Is it love/hate? Despair/hope? Anger/fondness? Fear/longing? You have your own thoughts on the matter. But you want to learn more.” (Reason #15 in Becky Tuch’s “21 Reasons Why You Should Read Dissent.”)
  • Check out The Forward‘s Summer Books section.
  • It’s been a busy week for my short-story collection, Quiet Americans.
  • Jeffrey Goldberg responds to a Scottish boycott of Israeli books.
  • Shabbat shalom!

    Friday Find: AWP Podcast Series

    Like podcasts? Then you’ll be glad to read this announcement from the Association of Writers & Writing Programs (AWP):

    “Welcome to the AWP Podcast Series. These podcast episodes feature recordings from selected events at the AWP Annual Conference. We are pleased to present readings and discussions from Rae Armantrout, Mary Jo Bang, Charles Baxter, Toi Derricotte, Stuart Dybek, Cornelius Eady, Nick Flynn, Carolyn Forche, William Gass, Linda Gregerson, Donald Hall, Edward Hirsch, August Kleinzahler, Philip Lopate, Heather McHugh, Alice McDermott, Honor Moore, Joyce Carol Oates, Francine Prose, Marilynne Robinson, Patricia Smith, Gerald Stern, Mark Strand, C.K. Williams, C.D. Wright, and many other wonderful writers!”

    New podcasts are being added each Wednesday. But note this one catch:

    Podcast Episodes from the 2007 conference will remain open to the public for listening. Episodes from the 2008 conference onward are available to AWP Members only through AWP eLink, an online service portal providing our members with the most up to date AWP resources for writers, teachers, and writing programs. Please check back for the most recently published episodes and below for a complete list of recordings currently available through eLink.

    So, although most of the content is limited to AWP members, everyone can enjoy some of it for free. Perhaps you’ll try out one of the offerings this weekend.

    However you spend your weekend, have a good one, and we’ll see you back here on Monday.

    Thursday’s Post-Publication Post

    Last weekend, I attended my 20th college reunion. I brought promotional postcards with me (although I hadn’t had the foresight–or chutzpah–of a fellow classmate-author who’d somehow managed to get postcards of her book inserted into every attendee’s registration packet).

    And friends old and new expressed genuine interest in my short-story collection, Quiet Americans. One friend whipped out his iPhone on the spot and immediately purchased a copy from Amazon.com. Another ordered a signed copy via my website almost as soon as she got home. Classmates who’d already read the book praised it to others. All of this meant so much to me.

    I was also quite moved to learn from two other classmates, in separate exchanges, that they, too, are grandchildren of refugees from Nazi Europe. I wonder how many other such grandchildren may be among the 1600 of us in the Class of ’91. I may have to pose this question on the class Facebook page….

    In other news: While I was away, my friend Anne Fernald posted thoughts about Quiet Americans on her blog (which has been part of my blogroll as long as I’ve had a blogroll). And she had lots of complimentary things to say. But she also shared some reservations, specifically about the way she perceived two of the stories dealing with “political” issues. I value honesty, so I appreciate all of Anne’s  analysis–even the criticisms (not that I necessarily agree with them, of course…;-)).

    And right after I returned from the reunion, Fiction Writers Review published a wonderfully generous (and, as always, gorgeously designed) feature. The teaser: “In conversation with Anne Stameshkin, debut author Erika Dreifus shares true stories that inspired her collection, Quiet Americans; wonders when it’s kosher for authors to write characters from backgrounds they don’t share; explores how reviewing books makes us better fiction writers; and recommends favorite novels and collections by 21st-century Jewish authors.” The interview: here.

    Finally, this week brought us the beginning of June, and with it, the latest issue of Shelf Unbound. Click here to peruse the issue, which features a Q&A about Quiet Americans and an excerpt–a full story–from the book. (I’m not going to reveal which story. I’ll let you be surprised!)

    The Wednesday Web Browser for Writers

  • Leslie Greffenius reflects on “The Joy of Writing (Not More, Just Better) Sex.”
  • Publishing Perspectives details the billionaire-backed rebirth of a Russian literary magazine.
  • Meet Victoria Ford, who very much seems to be a young writer to watch for in the future.
  • Erica Mena introduces a new course she is teaching, “Translation as Art.”
  • Nina Badzin addresses the “Twitter Thanking Crisis.” (I try not to fall prey to the behavior cited, but I know that I’ve been guilty from time to time. I promise to try harder to behave.)
  • Since my friend Rachel Hall was the one to introduce me to Jean Thompson’s work, I was especially pleased to discover an interview that Rachel conducted with Thompson over on Leslie Pietrzyk’s blog.
  • Josh Lambert examines “why a growing number of today’s young Jewish fiction writers…are grounding their novels in scholarly research.”
  • Congratulations to the winners of Midge Raymond’s Forgetting English & my Quiet Americans.
  • The June issue of The Practicing Writer went out to subscribers on Monday. If you’re not yet a subscriber, you can find the issue–featuring an interview with author Tayari Jones–online.